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C Series Catalog Confessions of A Conformist Series Dreams Disasters Series Fire Cycle Series Gatherings Series Ghosts Series Midrash Series Paper Trails Series Prophet Series The Erasing Series Washingtons Profile Series C Confessions of A Conformist Dreams Disasters Erasing Exhibition Catalogs Fire Cycle Gatherings Ghosts Midrash Paper Trails Prophet Washingtons Profile Large Scale Drawings Large Scale Narrative Drawings Medium Scale Drawing Publication Small Narrative DrawingsThe Drawings
I don't finish drawings, I exhaust the possibilities in each rendering. I revise and rework and more than likely destroy drawings.
I draw until the figure and the environment have weight—plasticity and narrative. I draw until I find a hook that sustains my viewing for more than a couple of days. If that hook doesn't last, then I go back to revising. Whatever began the drawing–the studies, the initial idea–is started again when I pick up my piece of charcoal. These drawings are the results of those searches.
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Like a drawing, view the series
I create drawings in a series. Each series starts with an idea that determines not only the subject matter but also the techniques to create it. If you like one of the drawings one this page, you should visit the complete series and view the other drawings.
The most current series are highlighted below.
Gatherings
I dislike crowds. They make me uncomfortable. Especially groups of people congregating around a single idea or ideology. They are the Cossacks that terrorized my ancestors and who terrorize us now. This series shows only the gathering. What threatens them is rarely real but it is they who haunt my dreams.
— David Bailin • 2022
Fire Cycle
After several years working on the large-scale Erasing Series, I'm drawing small. The poem, The Fire Cycle, by Zachary Schomburg from his book Scary, No Scary, published by Black Ocean Press, 2009, inspired me with so many visual ideas of solicitude and sublime immolation that I couldn't resist exploring his brilliant vision.
The Erasing
In his artist statement about his current drawing series, "The Erasing," Bailin, 62, writes: "As an artist who witnessed the waning of my father’s personhood through the dissolution of his memory, I wrestled with how to convey the devastating personal and human experience of memory loss without relying on visual clichés." The answer to that question is revealed in the creative process of the artworks of "The Erasing": draw, erase part of the drawing, repeat, repeat, repeat.
— Ellis Widner • Into The Void • 2017
Dreams & Disasters
The drawings in [this series] are ephemeral and dreamlike, […] and the figures and settings emerge out of Bailin’s marks—marks of abstraction, gesture, texture, and motion—as if surfacing within one’s consciousness out of white noise. […] His works skirt the edge of abstraction...
— Christopher Michno • Exhibition Review • art ltd, 2014
C
Bailin … presents incidents that mark a transition in ordinary lives–the ordinary lives of what seem to age minor captains of industry or their mid-level subordinates–to something outside the ordinary. Drawn in charcoal (and coffee!) on large sheets of paper, Bailin’s rough-hewn but beautifully detailed pictures present us with men in crisis–that is, men who seem to have grasped that their crises have overcome them and require resistance or escape.
— Peter Frank • Haiku Reviews • Huffipost.com, 2012
Paper Trails
[Bailin's] interiors and landscapes made since 2001 are as likely to resonate with texts by Eco or Borges as with anonymous images plucked from old magazines and newspapers. […] Bailin approaches each blank page as if a theatrical space to be occupied, activated. Each sheet becomes the site of a performance—Bailin’s own gestural charcoal dance and his character’s parallel search for a place, a form, a moment of reprieve.
— Leah Ollman • Catalog Essay • 2008
Lines of Thought
Drawing Conclusions Blog
Observations on Art and art process from the studio
How a Drawing Develops
The four versions of Slippage before the finished drawing as an example of my process.
IDENTITY Insight
This show features the work of ten Koplin Del Rio artists and completes the series of three IDENTITY exhibitions introducing the gallery’s artists to a Seattle audience.
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Terms and Conditions
PURCHASING:
- Prices on this site are non-negotiable and shipped unframed.
- However, you may choose to purchase these works from my gallery to arrive at terms more suitable to your circumstances if you desire to work through my representative.
- If a work does not appear here it may be available through my representative. Use the Studio’s contact page to inquire or visit ARTSY for drawings offered through Koplin Del Rio.
- All purchases are final. Shipping and handling is added on to the purchase price during checkout. No international purchasing is allowed through this store; however, international collectors may contact the me or Koplin Del Rio to acquire work.
- Purchase price is for drawings unframed. Shipping and insurance costs are for shipment within the continental United States only. Large drawings are shipped rolled in crates. The expense of crating, delivery and insurance is covered in full by the Buyer and is considered part of full payment. Framing is the responsibility of the purchaser. Shipment will occur only after Paypal releases funds to Artist.
- Once marked as "delivered" by carrier tracking, we are no longer responsible for the package. We are unable to ship to PO Boxes so please be sure to provide your full delivery address and contact phone number.
OTHER INFORMATION
- RISK OF LOSS AND INSURANCE: The risk of loss or damage to the Work and provision of any insurance to cover such loss or damage shall rest upon the Buyer from the time of purchase. Unless Insurance provider takes possession of damaged work, the drawing is to be returned to Artist.
- COPYRIGHT AND REPRODUCTION: The Artist reserves all reproduction rights, including the right to claim statutory copyright, in the Work. The Work may not be photographed, sketched, painted, or reproduced in any manner whatsoever in commercial purposes without the express written consent of the Artist. All approved reproductions shall bear the following copyright notice: © David Bailin | Bailin Studio.
About David Bailin
David Bailin is an artist working primarily in drawing. He received Fellowships from the NEA, Mid-America-NEA, and the state of Arkansas. He is represented by M2 Gallery in Little Rock, Arkansas and Koplin Del Rio, Seattle (formerly of Los Angeles).
Documentation
✍ For more information about David visit the Bailin Studio.