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When we walk through museums, visit exhibitions and look at art, we come with preconceptions, prejudices and preferences, and, if you are an artist, take from those works ideas and processes we could use as our own. Much of the time we come away with our opinions affirmed, pushed to reconsider an artist’s work, or just excited to get back into the studio. But sometimes, a work of art produces a sudden insight or, in my case, a discovery that reshapes my approach to art making.
When we walk through museums, visit exhibitions and look at art, we come with preconceptions, prejudices and preferences, and, if you are an artist, take from those works ideas and processes we could use as our own. Much of the time we come away with our opinions affirmed, pushed to reconsider an artist’s work, or just excited to get back into the studio. But sometimes, a work of art produces a sudden insight or, in my case, a discovery that reshapes my approach to art making.
My process of erasing and wiping out passages of my work, as well as my artistic sensibility, is beautifully summarized by this fragment of a page from Nabokov's last manuscript.
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