I just found some photographs of paintings I created in college. It reminded me of how artists come to develop a style.
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I just found some photographs of paintings I created in college. It reminded me of how artists come to develop a style.
This show features the work of ten Koplin Del Rio artists and completes the series of three IDENTITY exhibitions introducing the gallery’s artists to a Seattle audience.
The four versions of Slippage before the finished drawing as an example of my process.
An interview about my history and my approach to art conducted by Cindy Momchilov, edited and produced by DoubleTroublets Productions.
Unless I destroy the drawing first, the drawing is put in storage if I think there might be something to save. After a while, if by rummaging through the reams of rolled up paper, I find it again and I think I might be able to find some hook, I tack it back up on my drawing wall.
Unless I destroy the drawing first, the drawing is put in storage if I think there might be something to save. After a while, if by rummaging through the reams of rolled up paper, I find it again and I think I might be able to find some hook, I tack it back up on my drawing wall.
In February 2016, I was interviewed on the Parka Blogs by a columnist named Judy. The questions brought out some interesting specifics about my process I have talked about but never put into writing. I’ve picked out two highlights from the interview.
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